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Connections: Virtuosity

Paintings conservator Michael Gallagher talks about the appeal of technical virtuosity.

"It's like a virtuoso musical performance where the ability to throw in that extra at the right moment turns the painting into poetry."

Metropolitan Museum of Art paintings conservator Michael Gallagher talks about the appeal of technical virtuosity.


Contributors

Michael Gallagher
Sherman Fairchild Chairman, Department of Paintings Conservation

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Video
This film offers a rare look into the life and work of the artist Lillian Bassman, who helped introduce an avant-garde sensibility to the American newsstand.
July 23
Image of conservator Rachel Mustalish talking about the luxury copy of La Fin du monde
Video
A close examination of The Met’s luxury copy of the printed book and original artist’s maquette for La Fin du monde.
June 8
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Video
Join Ana Gasteyer, actress, comedian, and singer, for a look at one of her favorite Met objects.
April 23
More in:ConnectionsInspirationMaterialsArt-Making
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Madame X (Virginie Amélie Avegno Gautreau), John Singer Sargent  American, Oil on canvas, American
John Singer Sargent
1883–84
Burgonet, Filippo Negroli  Italian, Steel, gold, textile, Italian, Milan
Armorer Filippo Negroli
dated 1543
Krishna Killing the Horse Demon Keshi, Terracotta, India (Uttar Pradesh)
India (Uttar Pradesh)
5th century
Female Dancer, Earthenware with slip and pigment, China
China
2nd century BCE
Studiolo from the Ducal Palace in Gubbio, Francesco di Giorgio Martini  Italian, Walnut, beech, rosewood, oak and fruitwoods in walnut base, Italian, Gubbio
Multiple artists/makers
ca. 1478–82
Drop-front desk (secrétaire à abattant or secrétaire en cabinet), Martin Carlin  French, Oak veneered with tulipwood, amaranth, holly, and sycamore; six Sèvres soft-paste porcelain plaques and two painted tin plaques; gilt-bronze mounts; marble shelves; moiré silk, French, Paris and Sèvres
Attributed to Martin Carlin
Manufactory Sèvres Manufactory
Decorator Central plaque decorated by Edme François Bouillat père
ca. 1776
Alexander Danilovich Menshikov (1673–1729), Unknown Artist, Swiss, Austrian, or German, active Russia ca. 1703–4, Red pine (pinus sylvestris), with wrought-iron clips, Russian, St. Petersburg
Unknown
probably shortly before 1704
Bronze statuette of a veiled and masked dancer, Bronze, Greek
Greek
3rd–2nd century BCE
Head of a king, Silver, mercury gilding, Sasanian
Sasanian
ca. 4th century
Portrait of a Man, Possibly a Self-Portrait, Velázquez (Diego Rodríguez de Silva y Velázquez)  Spanish, Oil on canvas
Velázquez (Diego Rodríguez de Silva y Velázquez)
ca. 1635
The Penitent Magdalen, Corrado Giaquinto  Italian, Oil on canvas
Corrado Giaquinto
ca. 1750
Fragment of a Queen's Face, Yellow jasper
ca. 1390–1336 B.C.